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For brands

Advertising people choose to watch.

Stop making ads people swipe past. Pick a world and we’ll write a 30-60s scene around your product, shot with that world’s own characters — entertainment first, so the logo is the payoff, not the pitch.

What this actually looks like

A joke people forward. Your brand is the last line.

Same mechanism as the GEICO gecko, Dr. Rick, the guy on the horse: the story is the reason anyone watches. The product is almost incidental — and that’s what makes people remember it.

Example brief → scene

INT. THE DON’S OFFICE — NIGHT

He doesn’t look up from the folder.

THE DON

Three hours. That’s what I gave you.

LIEUTENANT

I can expl—

THE DON

You made it by hand?

Silence. He finally looks up.

THE DON (CONT’D)

Get him out of my office.

(beat)

Next time, use [your brand].

01

Pick a world

Watch it first. Every world plays here, with its cast and the scenes we can build on.

02

Tell us three things

What you sell, what you want remembered, and how far we can push it. We write the scene.

03

A 30-60s skit in 7 days

Plus 3 shorter hook cuts to test, captioned and ready to upload.

The worlds

Each one opens and starts playing. Decide by watching, not by looking at a cover — hover a card below and it moves.

What we don’t sell

We don’t sell impressions.

You are buying the creative, not the media. If you want reach you already have ad accounts — these are made to run in them, with your pixels and your audiences and your reporting. What is scarce here is a world people follow, a cast that stays consistent, and a story built around the moment your product shows up.

$999

per month · one plan

We take 10 brands this month. Every ad is made by hand, so that is a real number rather than a sales line.

  • 2 skits a month30-60s each, plus 3 hook variants — 6 files to test with.
  • One worldAny of its characters, any of its scenes.
  • 2 revision roundsOn the treatment before we shoot, and on the cut after.
  • A perpetual licenceWorldwide, all channels, non-exclusive. Yours even if you cancel.
  • A run on our channelsWe post it ourselves too. A bonus, not the product.
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You need an account so the ads have somewhere to be delivered.

Questions brands ask

Why a skit, and not a normal ad?
Because people avoid ads and choose entertainment. The second something feels like a pitch, you've given them permission to swipe. A scene they'd watch anyway — and happen to remember your brand from — gets watched all the way through instead.
How long is it?
30-60s. Long enough to land a joke or a real moment, short enough that people finish it. Short-form hook variants are cut from the same shoot, for testing which opening earns the watch.
Who owns the ad?
You do, for advertising. Every ad we deliver comes with a perpetual, worldwide, non-exclusive licence to run it on any channel you like. The world and its characters stay with their creator — you are licensing them, not buying them.
Can I keep running the ads if I cancel?
Yes. Anything already delivered is yours to keep running, for good. Cancelling stops the next month's ads, not the ones you have.
Are the characters real people?
No. Every character is synthetic, generated for the series it appears in. No real person's face, voice or likeness is used, and every world comes with a written note on where its characters came from.
What if the world's creator won't take my category?
Then that world will not be offered to you. Creators can refuse whole industries, and worlds they have refused yours for are filtered out of your catalogue rather than shown and then declined.
How fast?
A treatment — the scene we're proposing, in a paragraph — within two working days of your brief. Finished ads within seven days of you approving it.
Do you run the ads for me?
No, and that is the point: you run them in your own ad accounts, where your pixels, audiences and reporting already are. We do post them on our own channels as well, but that is a bonus rather than what you are buying.

Ads we deliver are AI-generated and are paid placements. You are responsible for carrying an advertising disclosure wherever you run them, and for the accuracy of any claim you ask us to make. Creators may refuse categories — currently gambling & betting, alcohol, crypto & trading, politics & advocacy and others.